Cuneiform terracota tablets, ca. 1400 BC, Qatna, Syria.
63 cuneiform tablets were discovered in 2002, in a subterranean corridor. They were covered by the burned remains of several roofbeams. Maybe they were hidden during the Hittite invasion. The texts probably belong to the archive of King Idanda and contain both intelligence reports on the political situation in northern Syria, the Hittite threat and domestic and administrative texts. The texts are written in a mixture of the Akkadian and Hurrian languages hitherto unknown. - wikipedia.org
Fra Filippo Lippi, Coronation of the Virgin (detail), 1441-47, Tempera on wood. Galleria degli Uffizi, Florence.
A bit of Renaissance, for a change :) Here’s a work by Botticelli’s master.
This detail is one of my favorite because of its finesse, its delicate colours and very precise drawing. Lippi appears here as a skilled colourist, particularly in the fabrics, with rich golden silks and a beautiful transparent veil interlaced in this young girl’s hair. The character is perfectly drawn, in the typical canon Lippi invented, with a round face over a small pointy chin.
Two terracotta sculptures from the Hōryū-ji temple in Ikaruga (Nara), Japan.
These two sculptures are guardians, situated at each entry of the buddhist temple. Agyo, the red one with its mouth open represents expressed power and Ungyo, the black one with its mouth closed represents latent power. They protect the temple against its ennemies and their fierce attitude is supposed to frighten off people with bad intentions.
photos by JapanPhotos.org.uk.
Ivory carved Pyxis of al-Mughira, 968 AD, Madinat al-Zahra, Spain.
The use of this type of object is uncertain. They could have been used as jewel/precious stones/makeup/perfumes boxes. The recipient of this pyxis was the prince al-Mughira, son of the caliph Abd al-Rahman III. - louvre.fr
La dame à la licorne (The Lady and The Unicorn), series of six tapestries woven in Flanders of wool and silk, late XVth century. The suite, on display in the Musée du Moyen-Âge in Paris, is often considered one of the greatest works of art of the Middle Ages in Europe.
Five of the tapestries are commonly interpreted as depicting the five senses – taste, hearing, sight, smell, and touch. The sixth displays the words “À mon seul désir" (to my only desire). The tapestry’s meaning is obscure, but has been interpreted as representing love or understanding. The one featured here is the "Sight", in which the lady is seated, holding a mirror up in her right hand. The unicorn kneels on the ground, with his front legs in the lady’s lap, from which he gazes at his reflection in the mirror. The lion on the left holds up a pennant. - en.wikipedia.org
This work is even more incredible when seen for real in the museum, believe me.
Polychrome wooden sculpture of Saint Mary Magdalene, ca. 1515-1520 from the Church of Saint-Mary-Magdalene of Augsbourg (Germany) by Gregor ERHART (1470-1540).
Faience statuette of a hippopotamus, Middle Kingdom - 12th Dynasty, 1981–1885 BC, Egypt.
This well-formed statuette of a hippopotamus demonstrates the Egyptian artist’s appreciation for the natural world. It was molded in faience, a ceramic material made of ground quartz. Beneath the blue-green glaze, the body was painted with the outlines of river plants, symbolizing the marshes in which the animal lived. - metmuseum.org