04 Feb Vishnu as Vishvarupa (cosmic or universal man), watercolour on paper, Jaipur, India, ca. 1800-1820.
This striking painting shows the blue-skinned Hindu god Vishnu in the form of the Universal Man or Vishvarupa. The small figures painted on his body refer to his role as encompassing all of creation. He has four arms, each holding one of Vishnu’s attributes; a conch shell, a lotus flower, a mace and the circular weapon called Sudarshana chakra (meaning ‘beautiful discus’). - vam.ac.uk

Vishnu as Vishvarupa (cosmic or universal man), watercolour on paper, Jaipur, India, ca. 1800-1820.

This striking painting shows the blue-skinned Hindu god Vishnu in the form of the Universal Man or Vishvarupa. The small figures painted on his body refer to his role as encompassing all of creation. He has four arms, each holding one of Vishnu’s attributes; a conch shell, a lotus flower, a mace and the circular weapon called Sudarshana chakra (meaning ‘beautiful discus’). - vam.ac.uk

01 Feb Darpana Sundari (young lady with a mirror), soapstone sculpture, Chennakeshava temple, India, 1117 AD. Hoysala art.
The pillars inside the temple are a real attraction. While all the forty eight pillars are unique and the many ceiling sections are well decorated, nothing surpasses the finish of the four central pillars and the ceiling they support. These pillars may have been hand chiseled while the others were lathe turned. All of these four pillars bear madanikas. There are 42 of them in the temple complex, one each on the four central pillars inside the hall and the remaining 38 are outside, between the eaves on the outer walls of the hall. They are also called shilabalika and represent the ideal female form. They are depicted in various forms, such as dancers, musicians and drummers, and are rarely erotic in nature. - wikipedia.com

Darpana Sundari (young lady with a mirror), soapstone sculpture, Chennakeshava temple, India, 1117 AD. Hoysala art.

The pillars inside the temple are a real attraction. While all the forty eight pillars are unique and the many ceiling sections are well decorated, nothing surpasses the finish of the four central pillars and the ceiling they support. These pillars may have been hand chiseled while the others were lathe turned. All of these four pillars bear madanikas. There are 42 of them in the temple complex, one each on the four central pillars inside the hall and the remaining 38 are outside, between the eaves on the outer walls of the hall. They are also called shilabalika and represent the ideal female form. They are depicted in various forms, such as dancers, musicians and drummers, and are rarely erotic in nature. - wikipedia.com

18 Apr

Two terracotta sculptures from the Hōryū-ji temple in Ikaruga (Nara), Japan. 

These two sculptures are guardians, situated at each entry of the buddhist temple. Agyo, the red one with its mouth open represents expressed power and Ungyo, the black one with its mouth closed represents latent power. They protect the temple against its ennemies and their fierce attitude is supposed to frighten off people with bad intentions.

photos by JapanPhotos.org.uk.

04 May The Boar (Panjurli) brass bhuta Mask from Karnatka region, 18th-19th aprox.

The Boar (Panjurli) brass bhuta Mask from Karnatka region, 18th-19th aprox.

03 Feb Bodhisattva Avalokitesvara, details of a painted roll, ca. AD 1500. Mogao caves, Dunhuang, China. 

Bodhisattva Avalokitesvara, details of a painted roll, ca. AD 1500. Mogao caves, Dunhuang, China. 

02 Feb ’5 millenia old chariots and 12 horse skeletons were found in a tomb pit in the city of Luoyang in central China. Archaeologists believe the tomb was dug as part of the funeral rites of a minister or other nobleman during the Eastern Zhou dynasty period, about 2,500 years ago.’ - National Geographic. 

’5 millenia old chariots and 12 horse skeletons were found in a tomb pit in the city of Luoyang in central China. Archaeologists believe the tomb was dug as part of the funeral rites of a minister or other nobleman during the Eastern Zhou dynasty period, about 2,500 years ago.’ - National Geographic. 

02 Feb Kailasanath Temple, AD 756-774, Ellora, Maharashtra, India (by kun0me)
The Kailasanathar Temple is one of the 34 monasteries and temples, extending over more than 2 km, that were dug side by side in the wall of a high basalt cliff in the complex. Of these 34 monasteries and temples, the Kailasa is a remarkable example of Dravidian architecture account of its striking proportion, its elaborate workmanship, and its sculptural ornamentation. - wikipedia.org

Kailasanath Temple, AD 756-774, Ellora, Maharashtra, India (by kun0me)

The Kailasanathar Temple is one of the 34 monasteries and temples, extending over more than 2 km, that were dug side by side in the wall of a high basalt cliff in the complex. Of these 34 monasteries and temples, the Kailasa is a remarkable example of Dravidian architecture account of its striking proportion, its elaborate workmanship, and its sculptural ornamentation. - wikipedia.org

29 Jan Two bronze dōtaku (ritual bells), Yayoi period (about 300 BC-AD 300), Japan.
The origin of the dōtaku is thought to be the Chinese cattle bell. However, the Japanese did not practise cattle farming, so the first bells must have been imported as ritual objects. The fact that they are often found buried on isolated hill-sides and show evidence of having been buried and dug up several times, suggests their use in an agricultural ritual. - britishmuseum.org

Two bronze dōtaku (ritual bells), Yayoi period (about 300 BC-AD 300), Japan.

The origin of the dōtaku is thought to be the Chinese cattle bell. However, the Japanese did not practise cattle farming, so the first bells must have been imported as ritual objects. The fact that they are often found buried on isolated hill-sides and show evidence of having been buried and dug up several times, suggests their use in an agricultural ritual. - britishmuseum.org

27 Jan

Panoramic view of the Lotus Mahal (by thiruvikraman) and details, ca. AD 1400. Hampi, India.

26 Jan Detail of the Badshahi Masjid (mosque), AD 1673, Lahore, Pakistan (by zafar7770). 

Detail of the Badshahi Masjid (mosque), AD 1673, Lahore, Pakistan (by zafar7770).